Fish Boy – Anita Brūvere’s Haunting Stop-Motion Journey Into Guilt
In Fish Boy, director Anita Brūvere delivers a striking stop-motion meditation on guilt, memory, and the weight of emotional aftermath. Created at the National Film & Television School (NFTS) in the United Kingdom as part of her graduation work, the short combines textured craftsmanship with a deeply psychological narrative — a hallmark of Brūvere’s tactile storytelling style.
The Story Beneath the Surface
The film follows a man whose guilt quite literally consumes him. Living in darkness and burdened by the past, Fish Boy’s surreal transformation mirrors the suffocating effects of remorse. His partner, Laura, offers a glimmer of hope — yet despite his attempts to move forward, the waves of guilt continually drag him under.
Running just under nine minutes, the short transforms an intimate conversation about a relationship into a symbolic struggle between redemption and self-destruction.
“The idea was born from the image of a man with a fish head instead of a human head,” Brūvere explained in an interview with Short of the Week. “I wanted the film to feel quite tactile, and there are a lot of different textures.”
Crafting Emotion Through Texture
Brūvere’s attention to materiality drives every frame. Stop-motion puppets, layered fabrics, and painted surfaces flow together to evoke the fluidity of water and the instability of emotion. The result is a world where guilt becomes tangible — a visual current that pulls both characters and audience into its depths.
The cinematography by Bertrand Rocourt, music by Seymour Milton, and sound design by Breen Turner amplify that sensation. Water ripples through sound and light, while the production design blurs the line between domestic realism and dreamlike metaphor.
Festival Recognition and Critical Acclaim
Since its 2018 debut, Fish Boy has appeared in numerous international festivals, including Animafest Zagreb, Tricky Women Festival, and screenings through Making Waves Film Festival. Critics have praised its emotional resonance and haunting atmosphere.
“A beautiful short about the feeling of shame and guilt — how it washes over you, how it grabs you and won’t let go,” wrote one reviewer on Letterboxd.
The Artist Behind the Film
Originally from Latvia and now based in the U.K., Anita Brūvere holds a master’s degree in Directing Animation from NFTS. Her background in fine arts and her fascination with mixing mediums define her voice as an animator — one that thrives in the physical presence of handcrafted worlds.
Brūvere has continued exploring stop-motion and hybrid animation in her subsequent projects, such as Home (2020), further demonstrating her sensitivity to emotional storytelling through tactile media.
A Meditation in Motion
Fish Boy stands as both an artistic and emotional achievement — a work that uses stop motion not just for aesthetic effect, but as a vessel for human complexity. In a few quiet minutes, Brūvere reminds us that guilt, like the sea, can both reflect and drown the self.
Watch Fish Boy on YouTube: https://www.youtube.com/watch?v=gmDeljwzlV8
Sources:
